Now I could try randomly cloning from other parts of the river but I’m just wondering if there’s a tool that will help me more easily find a suitable area of the image to clone in or if I should resign myself to a long slog trying to sort it out. Videos you watch may be added to the TV's watch history and influence TV recommendations. If playback doesn't begin shortly, try restarting your device. A quick tutorial to show how easy it is to remove yourself or a tripod using the Affinity Photo inpainting tool.
Affinity photo inpainting how to#
Hopefully you can see in the image below that I’ve ended up with some patches that appear quite a bit lighter than the surrounding area and when zooming in on the edited picture in Affinity the water just above the reeds is now quite murky where I’ve probably caught some bits with the clone tool I shouldn’t have. How to Edit 360 Photos and Fix the Nadir with Affinity Photo. Getting rid of them isn’t so much the issue (there’s a few rough edges round my edit so far which I’m pretty confident I can tweak), it’s more the fact that I’m struggling to fill in the areas left behind in a way that the water looks like it matches what you’d expect to be there. I’m trialling Affinity Photo (can’t justify the cash for Photoshop) and have been using the Inpainting and Clone tools to remove the reeds. This is something I don’t have a massive amount of experience of so I’m not completely sure if I’m going about this the right way or not, hence why I’m here. So, as I’d like to try and make a nice print of this for home I’ve been trying to edit the reeds out. If I’d been thinking straight when I was there I’d have either have re-positioned the camera or pulled them back/trampled them down a bit so they weren’t obscuring the reflection of the mill. What I need some advice on is the reeds in the bottom of the image. I’ve messed about with it a bit in Lightroom and decided a better crop for the image would be something like the image below but that part I can handle (along with edits to the levels etc). Despite that, I think there’s still a decent (by my standards) image here struggling to get out.
Affinity photo inpainting full#
Unfortunately, due to being a bit flustered when I arrived on site, plus my camera either misbehaving/not acting as I was expecting, I was a bit rushed with my shots and not paying full attention to what I was doing (hence why I’ve put the mill slap bang in the middle of the frame and completely forgotten about shooting it as vertical composition rather than just in landscape). I’m looking for a bit of advice regarding editing this picture I took last year while I was on holiday of Brograve Mill in Norfolk.